CV

Daniel Barroca
Lisbon, 1976.

Education
– Ar.Co, Lisbon: 2001/02, Projecto Individual em Artes Plásticas.
– ESAD, Caldas da Rainha: 1996/2001, Licenciatura em Artes Plásticas.
– Rijksakademie van beeldende kunsten, Amsterdam, NL, 2010/11
– Ashkal Alwan, Home Workspace Program, Beirut, LBN, 2013/14

Awards, Grants, Residencies, and Prizes (sel.)
– IIArtes – Artista en Residencia, Universidad de Costa Rica, San Jose, CR, 2017
– Fulbright – Phd scholarship, University of Florida – Department of Anthropology, USA, 2017/18
– Travel Award – Centre for African Studies, University of Florida, USA, 2016
– Fulbright – Phd scholarship, University of Florida – Department of Anthropology, USA, 2016/17
– Triangle Network 4º Edição, Hangar, Lisbon, PT, 2015
– Visual Arts Grant, Fondación Botin, Santander, SP, 2014/15
– Open Sessions, The Drawing Center, New York, USA, 2014/15
– Ashkal Alwan, participant in Home Workspace Program with the support of Ashkal Alwan, Beirut, LBN, 2013/14
– Casa Tomada, with the support of Fundação EDP, São Paulo, BR, 2012
– Rijksakademie van beeldende kunsten / Dutch Ministry of Education, Culture and Science, Amsterdam, NL, 2010/11
– QBox Gallery Residency Program, Athens/Kea, GR, 2009
– Künstlerhaus Bethanien International Studio Program, Berlin, DE (Bolsa João Hogan, Fundação Calouste Gulbenkian), 2007/08
– Prize Latin Union for the Young Creation in Visual Arts 2003_04 / Resident Artist at the Spanish Academy in Rome, IT, 2004

Solo Exhibitions (sel.)
– Refusal of the image (curated by Tatiana Mouarbes), Hunter College Art Galleries, New York, USA, 2015
– Derrapagem_4005.66km (curated by André Sousa and Mauro Cerqueira), A Certain Lack of Coherence, Porto, PT, 2015
– Circular Body (curated by Laure de Selys), De La Charge, Brussels, BE, 2015
– A scratched line _ Uma linha raspada (curated by João Pinharanda), Galeria do Parque, Vila Nova da Barquinha, PT, 2013
– Riot _ Motim, Galeria Fernando Santos, Porto, PT, 2011
– Dripping Hand (curated by André Sousa and Mauro Cerqueira), A Certain Lack of Coherence, Porto, PT, 2010
– The Covered, Erased or Destroyed Films, (curated by Beate Cegielska), Galleri Image, Aarhus, DK, 2010
– The Sleepers _ Os Adormecidos (curated by Beniamino Foschini), Qbox Gallery, Athens, GR, 2009
– Collecting the Bones _ Recolhendo os Ossos (curated by Nuno Faria), Galeria Fernando Santos, Porto, PT, 2009
– Artefacto II, The Mews – Room 1 (curated by Nuno Centeno and Carlos Noronha Feio), London, UK, 2009
– Sem Chão #9, 7DaysProject (curated by Margarida Mendes), Round the Corner _ Teatro da Trindade, Lisbon, PT, 2009
– Soldier Playing with Dead Lizard, Künstlerhaus Bethanien, Berlin, GR, 2008
– Slow _ Lento (curated by João Silvério), Empty Cube, Lisbon, PT, 2008
– Mud _ Lama (curated by João Lima Pinharanda), Cinzeiro 8 _ Museu da Electricidade, Lisbon, PT, 2007
– Estilhaço _ Splinter (curated by Gisela Rosenthal), Fundação Carmona e Costa, Lisbon, PT, 2006
– Barulho _ Noise, Politécnica 38 / Vera Cortês Art Agency, Lisbon, PT, 2005
– Verdun, Art-Attack, Caldas da Rainha, PT, 2003

Group Exhibitions & Video Screenings (sel.)
– The Brain Loves the Brain (exhibition with the participants of the workshop – The Brain Loves the Brain), MADC, San Jose, CR, 2017
– Uma coleção = Um museu, 2007-2017 (curated by João Silvério), MACE, Biblioteca pública, Elvas, PT, 2017
– THEM OR US! (curated by Paulo Mendes), Galeria Municipal do Porto, Porto, PT, 2017
– The New Normal (curated by Murat Adash and Iba Farhat), The Hangar, Umam & Dawawine, Beirut, LBN, 2017
– De l’Afrique et du Portugal: destins, mémoires, représentations, Festival des 3 Continents, Nantes, FR, 2016
– (Co) Habitar (curated by Giulia Lamoni, Filomena Serra and Margarida Brito Alves), Casa da América Latina, Lisbon, PT, 2016
– A vida está lá fora (curated by the students of the post-graduate program in Art Curatorship (FCSH/NOVA)), Galeria do Torreão Nascente da Cordoaria Nacional, Lisbon, PT, 2016
– Rendering the Real (curated by Benjamin Weil and Alexandra Laudo), Fundación Botín, Santander, SP, 2016
– Interpretación / Representación, Sociedad Anónima, Madrid, SP, 2015
– Um horizonte de proximidades – Uma topologia a partir da Coleção António Cachola (curated by Sérgio Mah), Arquipélago – centro de artes contemporâneas, Ribeira Grande – Açores, PT, 2015
– Open Sessions 6 (curated by Nova Benway and Lisa Segal), The Drawing Center, New York, USA, 2015
– Au Sud D’Aujourd’hui (curated by Miguel von Hafe Perez), Fondation Calouste Gulbenkian, Paris, Fr, 2015
– Name it by trying to name it: Open Sessions 2014-15 (curated by Nova Benway and Lisa Sigal), The Drawing Center, New York, USA, 2015
– Jardins efémeros (curated by Miguel von Hafe Perez), Museu Grão Vasco, Viseu, PT, 2015
– Hunter Time (curated by Arjuna Neuman), ITP, Jackson, USA, 2015
– Fascínio / Exótico / Labirinto (curated by Bruno Leitão), Secondo Stile, HANGAR Centro de Investigação Artística, Lisbon, PT, 2015
– THROUGH THE EYES OF A FISH (curated by João Laia), Videoex, Zurich, CH, 2015
– Open Sessions: Drawings in Context/Field (curated by Onyedika Chuke), Queens Museum, New York, USA, 2015
– Oracular Spectacular (curated by Nuno Faria), CIAJG, Guimarães, PT, 2015
– Europe, Europe – Alternative spaces projects with A Certain Lack of Coherence (curated by Hans Ulrich Obrist, Thomas Boutoux and Gunnar B. Kvaran), Astrup Fearnley Museet, Oslo, NO, 2014
– De Ultramar, The Pipe Factory, Glasgow, UK, 2014
A Museum of Immortality (curated by Anton Vidokle), Ashkal Alwan, Beirut, LBN, 2014
– Whistling in the dark (curated by Aischa Berg), Workshop Gallery, Beirut, LBN, 2014
– Lessons on Darkness / Lições sobre a escuridão (curated by Nuno Faria), CIAJG, Guimarães, PT, 2013
– Film (curated by Mário Micaelo), Solar, Vila do Conde, PT, 2013
– Conversation Pieces – Lonelyfingers (curated by Suzanne Titz), Museum Abteiberg, Mönchengladbach, DE –Special Exhibition Prize AICA Germany 2013.
– Rxy (curated by Anna Babini), Galleria Comunale della Molinella, Faenza, IT, 2012
– Complexo Flexor (curated by Kiki Mazocheli), Gramatura, São Paulo, BR, 2012
– O Efeito da Frase: Como modos de narração repercutem na construção da história? (curated by Ana Maria Maia), Museu Murillo La Greca, Recife, BR, 2012
– Beyind History / Para Além da História (curated by Nuno Faria), CIAJG, Guimarães, PT, 2012
– Cinema: New Device (curated by Karina Karaeva), NCCA, Moscow, RU, 2012
– RijksakademieOpen2011, Rijksakademie, Amsterdam, NL, 2011
– Artists – Historians; Arquives, Memories and Documental Explorations (curated by Teresa Castro) – DocLisboa in the program Retrospective Liberation Movements in Mozambique, Angola and Guinea-Bissau (1961-74), Cinema São Jorge, Lisbon, PT, 2011
– On Not To, Galeria Fernando Santos, Porto, PT, 2011
– Atlantic Ocean – Portuguese and Brazilian Film/Video Art (curated by Marisol Tirelli Rivera), Tesol International, New York, USA, 2011
– Tromp Le Monde (curated by Thomas Raat), Transit, Mechelen, BE, 2011
– Square Eyes (curated by André Sousa), CAZ – Cornwall Autonomous Zone, Cornwall, UK, 2011
– Not Yet / Ainda Não (curated by Filipa Ramos and António Contador), The Barber Shop, Lisbon, PT, 2011
– Between Document and Fiction (curated by José Carlos Teixeira), Cinema Passos Manuel / Maus Hábitos, Porto, PT, 2011
– Rijksakademie Open 2010, Rijksakademie, Amsterdam, NL, 2010
– Negativo – Positivo (curated by João Pinharanda), Museum of Moving Image, Leiria, PT, 2010
– Res Pública (curated by Leonor Nazaré and Helena de Freitas), CAM – Fundação Calouste Gulbenkian, Lisbon, PT, 2010
– Vestígio II (curated by Carlos Noronha Feio and Romeu Gonçalves), Pavilhão 58 – Hospital Júlio de Matos, Lisbon, PT, 2010
– A Culpa Não é Minha- Works from António Cachola Collection (curated by Eric Corne), Museu Colecção Berardo, Lisbon, PT, 2010
– Jogo de Espelhos (curated by João Pinharanda), MACE, Elvas, PT, 2010
– Incipit., La Diagonale, Rome, IT, 2009
– Movie Painting (curated by Karina Karaeva and Patsyukov Vitaly), NCCA, Moscow, RU, 2009
– 13, Avenida, Lisbon, PT, 2008
– Antena 1 / Documento – Projecto – Ficção (curated by Bruno Marchand), Fundação de Serralves / Fundação Eugénio de Almeida, Fórum Eugénio de Almeida, Évora, PT, 2007
– IFCT – International Festival of Cinema and Technology, Museum of Modern Art, Washington DC, USA, 2007
– Experiments in Cinema V 2.0, Southwest Film Center, Albuquerque, New México, USA, 2007
– Reality Crossings 2nd International FotoFest Ludwigshafen/Manheim, Heidelberg 2007 (curated by Christoph Tannert), Manheim Kunsthalle, Manheim, DE, 2007
– Razura, Avenida, Lisbon, PT, 2007
– De Dentro (curated by João Pinharanda), NCCA, Moscow; Arsenal, Nijni-Novgorod, RU, 2006
– Moving Still (curated by Miriam Sampaio), Espace Videographe, Montreal, CA, 2006
– Exis – Experimental Film and Video Festival, Seoul, SK, 2006
– 14º Festival de Curtas Metragens de Vila do Conde, Vila do Conde, PT, 2006
– Rencontres International Paris/Berlin, Cinema L’Entrepôt, Paris, FR, 2005
– Videoevento, Accademia Internazionale di Studi e Arti in Media (curated by Miriam Sampaio and Patrícia Leal), Torino, IT, 2005
– Cinemed – Festival International Cinema Méditerranéen Montpelier, FR, 2005
– 26.55, Spanish Academy, Rome, IT, 2005
– O Um e os Outros (organized by Pedro Cabrita Reis), Casa das Artes de Tavira, PT, 2004
– Bartolomeu 5, Lisbon, PT, 2004
– Cinemed – Festival International Cinema Méditerranéen Montpelier (experimental film program curated by Hubert Corbin), Montpelier, FR, 2004
– EDP New Artists Prize 2003 (curated by João Fernandes, João Pinharanda and Nuno Faria), Museu de Arte Contemporânea de Serralves, Porto, PT, 2003
– Espiritismo – LisboaPhoto (curated by Sérgio Mah and Manuel Castro Caldas), Pavilhão Branco – Museu da Cidade, Lisbon, PT, 2003

Lectures and talks (sel.)
– with Catarina Laranjeiro, Who was sitting on his head?, 1st Colleex workshop, Lisbon, PT, 2017
– with Catarina Laranjeiro, Abrir Camino / Cerrar el cuerpo, Cátedra de Estudios Africanos y del Caribe, UCR, San Jose, 2017
– with Pablo Hernandez, Fotografia de Guerra, Escuela de Bellas Artes, UCR, San Jose, 2017
– O que é o Arquivo?, Centro de Arte Moderna, Lisbon, PT, 2017
– Liberation Struggles, University of Reading, UK, 2016
– Dislocating Europe, Centro de Estudos Comparatistas, Faculdade de Letras, 2013
– Lonely Fingers – Abteiberg Museum, Mönchengladbach, DE, 2013
– workshop Theorizing the Portuguese Colonial Experience, Companhia das Culturas, Castro Marim, PT, 2013
– Encontros para Além da História, CIAJG, Guimarães, PT, 2012
– Sequences of memory, silence and war, Galleri Image, Aarhus, DK, 2010
– Masterclass, Mobil Home, Tavira, PT, 2010
– A recriação de conteúdos através da apropriação de imagens, Festival Numero-Interfaces / Faculdade de Belas Artes, Lisbon, PT, 2008

Publications (sel.)
– (Re)imagining African Independence_Film, Visual Arts and the Fall of the Portuguese Empire, edited by Maria do Carmo Piçarra and Teresa Castro, Peter Lang, 2017
– Oracular Spectacular, edited by Nuno Faria, CIAJG, Guimarães, 2015
– Uma Linha Raspada, Câmara Municipal de Vila Nova da Barquinha, 2013
– Rheum, edited by www.foundfootage.be, Ghent, BE, 2013
– Lições sobre a escuridão, edited by Nuno Faria and Eglantina Monteiro, CIAJG, Guimarães, PT, 2013
– Ahali – an anthology for setting a setting, edited by Can Altay, Bedford Press, UK, 2013
– Encontros para além da história, edited by Nuno Faria, Cadernos CIAJG, Guimarães, PT, 2013
– Conversation Pieces, edited by Lonelyfingers, Museum Abteiberg, Mönchengladbach, DE, 2013
– A montage of attractions (Jorn – Cabral), edited by Hilde de Bruijn, Hilde goes Asger, http://www.hildegoesasger.org/category/artists/, NL, 2012
– Para Além da História, editado por Nuno Faria, CIAJG, Guimarães, PT, 2012
– Reconfiguration of a scratched line / The important is to link the head to the hand, artist book supported by Rijksakademie van Beeldende Kunsten, NL, 2012
– Convivências #6, São Paulo, Casa Tomada, BR, 2012
– Cenizas nº43, Porto / San José, edited by Mauro Cerqueira and Rolando Castellon, CR, 2012
– Kunstbeeld NR 2, Amesterdam, NL, February de 2012
– RijksakademieOpen 2011, edited by Phillip Pirotte, Rijksakademie, NL, 2011
– Arquipélago, edited by Nuno Faria, Allgarve, PT, 2010/11
– Agora Não / Not Yet, The Barber Shop, PT, 2011
– Rijksakademie Open 2010, Rijksakademie, NL, 2010
– Look Up!, edited by David Barro, PT, 2010
– Res Publica, Fundação Calouste Gulbenkian, PT, 2010
– Processo e Transfiguração / Entre o Jardim e a Casa, Casa da Cerca, PT, 2010
– Incipit., La Diagonale, IT, 2009
– Movie Painting, NCCA, RU, 2009
– DomusChina nº 30, edited by Feng Keru, CH, 2009
– BE #15, Künstlerhaus Bethanien, DE, 2008
– Soldier Playing with Dead Lizard, Künstlerhaus Bethanien, DE, 2008
– Documento – Projecto – Ficção, edited by Bruno Marchand, Fundação de Serralves, PT, 2007
– Propostas da Arte Portuguesa Posição: 2007, edited by Miguel von Hafe Perez Público / Museu de Serralves, PT, 2007
– Lama, Fundação EDP, PT, 2007
– Anamnese – O Site e o Livro, edited by Miguel von Hafe Perez, Fundação Ilídio Pinho, PT, 2006
– Estilhaço, Fundação Carmona e Costa / Assírio & Alvim, PT, 2006
– Pangloss nº 5, edited by Ricardo Nicolau, PT, 2004
– Daniel Barroca, Gonçalo Barreiros, Hugo Canoilas, Virgínia Mota, PT, 2004
– Prémio EDP Novos Artistas 2003, PT, 2004

Texts / Articles (sel.)
– Fernando Chaves Espinach – Daniel Barroca, artista residente del IIARTE dibuja en la sombra de la historia, La Nación, 2017
– Oliveira, Ana Balona de – De mercados de rua, álbuns de Guerra e filmes de família à prática artística contemporânea: Descolonizando o presente através do arquivo colonial, AIM, 2015
– Wilson-Goldie, Kaelen – A Museum of Immortality, Artforum, 2014
– Pinharanda, João – Os que vão morrer te saúdam, Uma Linha Raspada, 2013
– Valentina, Bárbara – Film, Arte Capital, 2013
– Faria, Nuno – Sobre a Escuridão, Lições Sobre a Escuridão, 2013
– Daldanesi, Nicoleta – The Intensity of Silence, Shareproart/Rijksakademie blog, 2012
– Babinni, Anna – On the Blood, Rxy, 2012
– Mazocheli, Kiki – Princípios Flexor, Gramatura, 2012
– Faria, Nuno – Para Além da História, 2012
– Rob Perrée – Provocatie uit het buitenland, Kunstbeeld, 2012
– Castro, Teresa – Artistas – Historiadores; Arquivos, Memórias e Explorações Documentais, DocLisboa, 2011, Lisboa
– Marmeleira, José – A arte portuguesa ainda não descobriu o fim do império, Público 20/04/2011, Lisboa
– Poeiras, Fernando – Dripping Hand, A Certain Lack of Coherence, Porto, 2010
– Ferreira, Célia – Arquivo Fotográfico, Usos Artísticos e Espaço Público, Museu da Imagem em Movimento, Leiria, 2010
– Fernandes Jorge, João Miguel – Processo e Transfiguração / Entre o Jardim e a Casa, Casa da Cerca, Almada, 2010
– Souza Cardoso, João – Uma repolitização das Artes?, Atelier Real, Nov/Dez 2009
– Faria, Óscar – Uma questão Política, Público / Ípsilon, 2009
– Foschini, Beniamino – Circular Experience, Qbox, Athens, 2009
– Stocchi, Francesco – Nuovi Ricordi / New Memories, Soldier Playing with Dead Lizard, Künstlerhaus Bethanien, 2008
– Tannert, Christoph – Organised Noise, Soldier Playing with Dead Lizard, Künstlerhaus Bethanien, 2008
– Wulffen, Thomas – Archäologie des Abbilds / The Archaeology of the Reproduction, BE #15, Künstlerhaus Bethanien, 2008
– Silvério, João – A Distenção do Silêncio / The Distention of Silence, Lento / Slow, Empty Cube, 2008
– Pinharanda, João – Lama / Mud, Lama, Fundação EDP, 2007
– Rosenthal, Gisela – Widerstand / Resistência, Estilhaço, Fundação Carmona e Costa_Assírio & Alvim, 2006
– Nicolau, Ricardo – Parfois, le porno c’est bon – Memória, pornografia e cegueira nos últimos filmes de Daniel Barroca / Parfois, le porno c’est bon – Memory, pornography and blindness in Daniel Barroca’s last films, text for the exhibition Barulho, 2005
– Nicolau, Ricardo – Entre Os Vivos e Os Mortos / Between the Living and the Dead, Pangloss nº 5, 2004
– Faria, Nuno – A Imagem Entre a Aura e o Vestígio / The Image Between Aura and Trace, EDP Novos Artistas 2003
– Poeiras, Fernando e Ferreira, Célia – Notas no Verso da Imagem / Notes on the back of the image, Fevereiro- 1948, 2001